Hi, Melissa
That's the way Steinway grand repetition springs used to be held, till they replaced the system with a damned teflon post, which often clicks.
I see no reason why you couldn't go with the traditional flange cord, which I always called damper cord. It's good to buy a variety of thicknesses, so you can find which one is firm without being so tight it risks cracking the wooden parts.
When you get some cord (Schaff #3737 and Schaff #512-1/2 for starters), make a point on one end by pulling back the woven sleeve and clipping off some of the inner threads at a couple of lengths. Then pull back the sleeve, and form a point by moistening it with white glue and letting it dry and harden. I like to use relatively short pieces, like 8 or 10 inches, so there isn't as much pulling through to do.
When you get the right size going, so it's firm but not too firm, you can push the pointed end through the flange and spring, and then pull on the point with needle nosed pliers till you have a long enough piece coming through to grab it with your fingers. Leave just a little ragged end showing on the side of the flange, trim it flush with a very sharp razor blade, then trim off the other side and you're ready for the next one.
The springs should end up noise-free and perfectly secure,
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Susan Kline
Philomath, Oregon
Original Message:
Sent: 11-18-2015 16:20
From: Melissa Warren
Subject: Upright damper lever springs
this is an old piano with the damper springs held in the flange with a center pin wrapped in red cloth. No cords.
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Melissa Warren
Lawrence KS
785-749-5000