Pianotech

  • 1.  Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-05-2019 08:26
    It's with very great pleasure that I can report total success of the Nice International Piano competition https://www.concours-international-piano-nice-cote-dazur.com/ which has been conducted throughout at all stages.

    In particular we saw how playing styles and associated musicianship shone through as performers discovered adaptation to the new dimensions that a good unequal temperament can access.

    So many modern musicians and pianists have been having to battle with heavy machinery in terms of many heavy actions of many modern pianos, the worst leading to pianists hitting the keys, that there are different schools of thought now as to how one should play, whether deep in the keys or at times with what might seem a superficial touch on a good action to get the sound desired. This can split juries, but nevertheless, music emerges and the performers come out with an experience sometimes of magic.

    A split as to how one should play Bach on the piano caused a dispute on the jury but the majority chose the 8 year old competitor from Romania in this instance whose playing I admired. Unbeknowing of the dispute, I had immediately gone outside and posed him a challenge. It turned out that his playing was inspired by enjoying Bach on the organ in the local Cathedral. I told him that as the piano I'd tuned was tuned as an organ, he could play Bach on the piano as on the organ in the cathedral. So I brought him back in and in front of the jury he played the piece holding the sustain down throughout on the one pedal. And it worked. The Jury were astounded and many never heard of such a thing before. They were won over and the President of the Jury for that day who'd voted in the minority against the lad came up to me and kissed me on the way out.

    At the end, at the finals and Gala performance I'd tuned the Fazioli and the performers were rehearsing and a retired Radio France sound engineer came up to me saying that he'd never heard a piano like it before . . . 

    https://www.youtube.com/watch?v=mnTDkj5dYYc is the final concert and at the end I've added the recording of young David Martinescu playing Bach on the organ.

    We really can be more adventurous with tuning than Equal Temperament provides.

    Best wishes

    David P

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    David Pinnegar BSc ARCS
    Hammerwood Park, East Grinstead, Sussex UK
    antespam@gmail.com

    Transforming historical tuning for the modern piano . . .
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  • 2.  RE: Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-06-2019 12:49
    This link works....but the one on the piano history
    posting didn't....thanks for demonstrating
    the temperament towards the end, before
    the Bach starts.

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    Richard Adkins
    Piano Technician
    Coe College
    Cedar Rapids, IA
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  • 3.  RE: Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-12-2019 21:16
    Inspired by the recording of David Martinescu (8 year old) who won the Junior prize with the recording that I did of him at the end putting my tuning to the ultimate test . . . a friend insisted I do a recording on a local Bechstein in the same manner, and then going on to Ravel and Schubert -  https://www.youtube.com/watch?v=tuz0bFUJ3zc 

    THANK YOU by the way to all those who chipped in with encouragement about tuning time. I put my foot down at the Competition and was able to have enough time to tune properly. Very wonderfully the sponsor of the piano at the concert http://pianopolis.fr/ thanked me for my work on the Fazioli saying how good the tuning sounded. 

    Listening further to the recording in the concerto sections using headphones https://www.youtube.com/watch?v=mnTDkj5dYYc the microphone placement might have been accidentally interesting. For me through headphones there seems to be a sensation of perspective with the orchestra behind and above the piano, as if looking down on the scene. This may have been on account of a triangular arrangement of microphones, a pair of AKG D202 in ORTF configuration about a metre higher than a capacitor Mid-Side mic facing forward picking up centre and the ambience of the auditorium mixed in 6dB lower than the D202 pair.

    Best wishes

    David P 

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    David Pinnegar, B.Sc., A.R.C.S.
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    +44 1342 850594





  • 4.  RE: Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-17-2019 21:49
    The other night I tuned for a jazz concert in exactly the same way that I tuned for Nice - https://www.youtube.com/watch?v=6wdMbiOlw9s
    Hope you might enjoy it.

    Best wishes

    David P

    ------------------------------
    David Pinnegar BSc ARCS
    Hammerwood Park, East Grinstead, Sussex UK
    antespam@gmail.com

    Transforming historical tuning for the modern piano . . .
    ------------------------------



  • 5.  RE: Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-21-2019 04:20
    Please forgive me. Someone wrote privately to me asking me if I might write something for the magazine - to which I responded and have not heard back.

    For the life of me I can't remember who it was nor find the message.

    Revival of contact would be appreciated, and apologies for disorganisation and senility.

    Best wishes

    David P

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    David Pinnegar, B.Sc., A.R.C.S.
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    +44 1342 850594





  • 6.  RE: Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-22-2019 10:48
    I assume you already searched your email "trash" with some keywords?

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    Richard Adkins
    Piano Technician
    Coe College
    Cedar Rapids, IA
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  • 7.  RE: Nice Concours International de Piano - first Competition to use Unequal Temperament

    Posted 11-22-2019 12:29
    Thanks. Hannah has now made contact again and we're in touch. As for searching email . . . sometimes it happens and sometimes it doesn't. A wise young friend told me 30 years ago that computers were magic. My repost that they're logic was quite misconceived.

    Best wishes - and in particular thanks to all who gave encouragement on timing necessary for tunings,

    David P

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    David Pinnegar, B.Sc., A.R.C.S.
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    +44 1342 850594