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Chinese Baldwin Grand, Action Problems.

  • 1.  Chinese Baldwin Grand, Action Problems.

    Posted 12-17-2019 18:33
    A friend in California is having problems with a four-year-old Baldwin grand, model 165. It appears that action centers are beginning to seize, causing irregular repetition, which was not a problem until recently. She is a music teacher and the piano receives regular but not extreme use.
    Have others experienced this in Chinese-built Baldwin grands? The grands are made in a different factory than the verticals.

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    Ed Sutton
    ed440@me.com
    (980) 254-7413
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  • 2.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-17-2019 22:56
    Ed,

    I should add that the environment is not the problem - I serviced several of this teacher's pianos for some years before leaving the area, and there are no humidity issues in her apartment, nor did she have action center problems with previously owned instruments, including a new Kawai.

    Israel





  • 3.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-19-2019 20:25
    Ed,

    One of my mantras in my action center class is that the doggone cloth bushed action center is one of the more difficult parts of pianos to manufacture well.  Many manufacturers get it wrong, and it is made worse because it's rather easy to make errors that cause them to be working fine when the piano is shipped, but with regular use the centers begin to freeze up.

    It's best to ream and repin, and investigate things closely as you work.  Most common cause in newish pianos like this is instability in the bushing cloth.  One cause I found (at a previous employer and a few others) is that the bushings can be twisted or scrunched up in the part when the pin is fitted and made functional, but with use and temperature / humidity cycling the bushing sort of unwinds in the part and binds on the pin.

    After it has tightened, reaming, burnishing and new pins generally solve this problem permanently because the bushing has settled into a more stable state, and the burnishing especially helps finish the process.

    It can also be thin glue soaked through the cloth, burrs from improper pin cutting snagging the cloth, or wood flanges twisting or bowing in and binding on the birds-eye.  etc. etc. etc. etc.

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    Don Mannino RPT
    Kawai America Corporation
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  • 4.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-19-2019 21:24
    Ed,
    I would add that with a ~10 year old Kohler-Campbell (Samick) 6' grand, damper lever centers and hammer centers have both seized -- around a 1/2 dozen each year.
    Our keyboardist once provoked a failure with 10 minutes of Scarlatti -- with a hammer and a damper both not returning.
    I've observed a smallish dark area on every failed center pin.  I don't know if it is corrosion or plating failure.  I have found that burnishing and lubricating is NOT a long term solution -- failures re-occur in the space of a few weeks to a month.  Reaming, burnishing, and re-pinning has proven to be a lasting fix.

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    John Rhodes
    Vancouver WA
    360-721-0728
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  • 5.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-20-2019 21:38
    I have had the exact same experience John describes several time. I have been told by some techs that Protek worked to solve the issue for them. I haven't found that to be true in the cases I observed.

    Don's insights are interesting. I have found using a re-pinning method that employs a very slight reaming of the tighter side of the bushing pairs, and then heating with a heat gun the uncut exposed part of the pin, and then pinning the flange leaving the new pin uncut overnight, and then resizing with heat and/or exercise the flanges the next day as needed produces firm, trouble free action centers.


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    Edward McMorrow
    Edmonds WA
    425-299-3431
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  • 6.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-21-2019 00:24
    I do a rapid back and forth burnishing protocol as a rule in repinning, which builds up quite a bit of heat. It is almost always sufficient to go up a half or full size, should that be desirable. In the case of "Asian flu," a little reaming is needed. But the fast burnishing gives good reliable stability of results. 20-30 back and forth strokes, until you feel it has become freer, then rotate the shank around the wire and do a swing test (where you want to see a couple more swings than when it is pinned to the flange, as the additional friction from that interface will cut off a couple swings).

    I got some burnishing wire - straightened music wire, I believe, from Joe Goss about 15 - 20 years ago, 3' lengths. I use shorter pieces than that, maybe 12", and it allows me to work the wire back and forth quite vigorously without worrying about the end popping out of one of the bushings and pushing it out or damaging it. I'm not sure whether he would still provide that. If not, Jurgen sells extra long pins, made for those old European pianos that string 12 hammers or so on a single axle. 
    Regards,
    Fred Sturm
    fssturm@comcast.net
    http://fredsturm.net
    www.artoftuning.com
    "Art lives from constraints and dies from freedom." Leonardo









  • 7.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-21-2019 10:48
    Hello.?? This isn't scientific, but I think the problem with most pianos
    from Asia is that the felt is so over-processed that there isn't any
    lanolin in it.?? In my theory, the felt is very course. The dark spots
    are the felt wearing off the pin plating.?? I see this often in Yamaha
    balance rail bushings and around center pins in other pianos.?? Sometimes
    when you start playing the action seems free, then stiffens, because the
    friction of the course felt heats up the center pin and the pin swells,
    then becoming tight. Protek works for a while, but it's like putting
    lubricant on a file. It still rough.?? This is also the source of the
    squeaking you hear, like in damper levers.

    I got this idea from a client whose hobby is knitting.?? She has a
    Bergman grand where every moving part was tight and squeaked.?? I put
    lube on the squeaks.?? She said that when she buys yarn from France or
    the US, it's fine.?? She bought yarn from Asia once and her fingertips
    cracked from how dry it was.?? The Pramberger service manual says their
    felt is high quality but "it can be noisy."?? I read that to mean it can
    squeak.

    Does this make sense to anyone else?

    Robert




  • 8.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-21-2019 12:14
    Robert,
    I think that could well be true. Hammers from the 60s were often also made from over processed wool, and even if they are not all that dense, it is extremely hard to get needles in. Once they are in, it often seems even harder to get them back out. Adding lanolin (or fabric softener) makes it much easier to get needles in and out. 

    Another factor is whether the chemicals used to dissolve and remove organic materials, "carbonizing and scouring" (dissolving grass, burrs, etc.) is fully washed out. I have tended to think that presence of chemicals of one sort or other - also possibly dye fixative - plays a role. 

    A similar symptom comes up with Renner parts, though more sporadically and mildly. Recently, in doing a BenchWeight process on a piano with 15 year old Renner parts, I found that at least a third of the shanks were mildly seizing up, causing excess friction. My guess there is that the carbon they put on the surface of their bushing cloth might play a role. I have never seen that problem with Abel or modern Steinway parts.
    Regards,
    Fred Sturm
    "We either make ourselves happy or miserable. The amount of work is the same." - Carlos Casteneda






  • 9.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-21-2019 12:08
    Hello. This isn't scientific, but I think the problem with most pianos from Asia is that the felt is so over-processed that there isn't any lanolin in it. In my theory, the felt is very course. The dark spots are the felt wearing off the pin plating. I see this often in Yamaha balance rail bushings and around center pins in other pianos. Sometimes when you start playing the action seems free, then stiffens, because the friction of the course felt heats up the center pin and the pin swells, then becoming tight. Protek works for a while, but it's like putting lubricant on a file. It still rough. This is also the source of the squeaking you hear, like in damper levers.

    I got this idea from a client whose hobby is knitting. She has a Bergman grand where every moving part was tight and squeaked. I put lube on the squeaks. She said that when she buys yarn from France or the US, it's fine. She bought yarn from Asia once and her fingertips cracked from how dry it was. The Pramberger service manual says their felt is high quality but "it can be noisy." I read that to mean it can squeak.

    Does this make sense to anyone else?

    Robert

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    Robert Callaghan
    Reno NV
    775-287-2140
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  • 10.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-21-2019 21:27
    I do believe felt makers are expected to neutralize the PH after the acid soak is used to burn out carbon materials. There was a period when Partt-Read  vertical actions all got rusted damper and hammer springs where they contacted the felt. The PH was left acid they discovered and when it got humid, the springs corroded.

    I have never bought into the Lanolin theory.

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    Edward McMorrow
    Edmonds WA
    425-299-3431
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  • 11.  RE: Chinese Baldwin Grand, Action Problems.

    Posted 12-22-2019 11:48
    Are Young Chang pianos also affected by this problem?

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    David Bauguess
    Grand Junction CO
    970-257-1750
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  • 12.  RE: Chinese Baldwin Grand, Action Problems.

    Registered Piano Technician
    Posted 12-22-2019 12:20
    Young Chang is where I first encountered it myself, probably 30 years ago. Not as bad as Samick.
    Regards,
    Fred Sturm
    "A mind is not a vessel to be filled, but a fire to be kindled." Plutarch