Norman --
You mention that this piano is in a lobby. Yeah, the acoustics are going to be horrible and a live acoustic piano is the wrong instrument for the space. You'll never get the piano acoustically quiet enough to satisfy the needs of the room and still have it sound acceptably like a piano. On the other hand, some of the suggestions here could work in the home. I put 3" foam in the back of my Yamaha U1 and it knocked it down quite a bit. But again, if it's a large live room you're never really going to get it quiet enough to hold a conversation in the same room.
I service two locations where the piano is in a large live environment. In both locations the owners chose a Yamaha Disklavier so that they would have a real piano but also be able to play it super quiet using the "quiet" mode, which blocks the hammers from actually touching the strings and, instead, provides a Yamaha CF9 concert grand sample over speakers to replace it. You can get it almost silent quiet and it still sounds decent. However, replacing that Steinway is obviously not going to be an option.
But, since this is a Steinway, rather than go to extremes that are probably not going to look attractive, and probably not satisfy the needs of the room, I'd like to recommend an add on. Check out the QuietTime system by PianoDisc.
https://pianodisc.com/quiettime/ It's a relatively inexpensive add-on that is easy to install, non-destructive to the piano, and functionally it delivers a system that can be played both acoustically and digitally over headphones. Only thing I'm not certain about is whether it can be used with speakers. My guess is that if you plug in powered speakers to the headphone jack it will work just fine. Might be worth contacting PianoDisc to find out.
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Geoff Sykes, RPT
Los Angeles CA
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Original Message:
Sent: 09-26-2022 20:27
From: Norman Dutton
Subject: Muffling a grand piano
Hi,
I'm looking for some ideas about reducing the volume of a grand piano. A search of this website found discussions about the Steven James Grand Piano Muffler. Are there any other suggestions? The client asked about using a string cover, and/or putting foam on the underside of the soundboard with adhesive. Would either of those work well? Will the adhesive be a problem to remove later on?
The client also needs to do something about the acoustics of room, but I would like to keep that as a separate topic. Filing and voicing the hammers is another thing that needs to be done, or replacing the hammers altogether.
Thank you,
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Norman Dutton RPT
Pacifica CA
(650) 291-2725
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