Yes, this is a departure from the KMD thread though the KMD is very useful for this method.
Keep in mind, this example isn't a "design" or recommendation, it's just a sampling from a set of hammers bored and tapered out of the box for purposes of illustration of how to use the spreadsheet. I think it was a set of Premium Blue hammers Gr4 with a modest taper.
Of course, choices can be made about the SW curve levels for whatever the purpose. It might be noted, however, that early 20th century Steinway Ds that played concert halls, including concerto work, had pretty light hammers on them, and accompanying low ARs, as did Horowitz's piano. I would probably argue that a concert grand doesn't necessarily needs concert level hammers as indicated in your charts. It might, but it might not. Much depends on the SB impedance characteristics, those can vary.
However, it might be noted that my SW zones are a little different than yours, as is my FW maximum chart. They are mostly just a reference point. In fact, on the SW curves I don't necessarily target that particular shape. Some sets come out of the box with a much more straight-line curve (no, that's not a contradiction in terms) and in that case I don't necessarily alter that just to achieve a theoretical shape. That being said, tonal considerations, as well as the graduated inertia levels, are not unimportant in that choice.
On the FW max, we start at about the same place but I have boosted the upper end maximum by a fair amount and, arguably, the FW max at the upper end of the piano is less important. Won't go into the why of that now but I can if people are interested in my thoughts on the matter.
Thanks for weighing in and appreciate the complements on the chart. I hope folks will find it useful for their own purposes.
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David Love RPT
www.davidlovepianos.comdavidlovepianos@comcast.net415 407 8320
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