Pianotech

  • 1.  Recording String Spacing for Shop/Bench Action Work

    Registered Piano Technician
    Posted 03-31-2011 16:01
    Next week I will be removing the action of a Steinway M to the shop for partial reconditioning.  I would appreciate ideas on how to capture and reproduce the string spacing for use in hammer alignment on the bench to facilitate wippen alignment, regulation, etc.

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    Paul Milesi, RPT
    Staff Piano Technician
    Howard University Department of Music
    Washington, DC
    (202) 246-3136
    paul@pmpiano.com
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  • 2.  RE: Recording String Spacing for Shop/Bench Action Work

    Registered Piano Technician
    Posted 03-31-2011 16:16
    Next week I will be removing the action of a Steinway M to the shop for partial econditioning. I would appreciate ideas on how to capture and reproduce the tring spacing for use in hammer alignment on the bench to facilitate wippen lignment, regulation, etc. Paul The only way to allign the hammers to the strings is with the action in the piano. I would suggest you do that before removing the action. Then after you do most of the regulation on the bench, you will probably need to tweek the regulation again once you put the action back in the piano. So leave enough time. Wim


  • 3.  RE: Recording String Spacing for Shop/Bench Action Work

    Registered Piano Technician
    Posted 03-31-2011 16:56
    Paul, Steinway hammers are usually more difficult to align than most other makes, especially if they require a lot of attention. So If you don't have time to align hammers to strings at the location, or else if the on-site conditions don't warrant this, then consider the following advice (also a good idea if replacing hammers). Be sure not to disturb the position of the hammers after you remove the action from the piano. In fact make sure the flange screws are snug. This way you can use the string grooves as a "record" of where the actual piano strings exist. Now, at the bench, set up a long, cross-wise "let-off" rack of some kind that takes in the entire span of all hammers. The cross piece (let's call it a spanner) must be long enough to attach to upright supports at each end of the span. You will have to make this yourself most likely (at least I have felt it necessary), and is easy to do with a little thought and can be reusable for years to come. Next figure out a way to secure this rack to the bench such that it cannot be moved; you slide the action in and out from under it. Be sure to register the left side of the action frame against the lower side of the left rack upright (in other words a stop block) such that you are able to repeatedly locate the action frame against it. Use pencil marks, tape, whatever as a quick aid. Now that the rack is stationary, and that you can consistently locate the action frame fore and aft and to the left, you are good to go. Next set the spanner of the rack down to the where the hammers would strike the strings (rule of thumb is shanks are parallel to the bench). You will have to make adjustments between bass and tenor hammers. Now carefully lift each hammer to the spanner and make a pencil mark on it such that this mark corresponds to the center groove of the hammer. Do all eighty eight. Now you have the string spacing as it exists at the piano. Don't confuse hammer grooves which are off-center on any individual hammer as meaning you must make some sort of adjustment. All you care about is the center groove of every hammer regardless how well spaced the grooves appear on any hammer. No matter how careful you are, you will need to refine a bit at the piano, but this should be relatively painless. If you like this idea, and wish to follow up here with some photos of your set up, we would be happy to comment. Also, write back if the above is not clear. Good luck On Thu, Mar 31, 2011 at 1:00 PM, Paul Milesi wrote: > > > Next week I will be removing the action of a Steinway M to the shop for partial reconditioning.  I would appreciate ideas on how to capture and reproduce the string spacing for use in hammer alignment on the bench to facilitate wippen alignment, regulation, etc. > >  ------------------------------------------- >  Paul Milesi, RPT >  Staff Piano Technician >  Howard University Department of Music >  Washington, DC >  (202) 246-3136 >  paul@pmpiano.com >  ------------------------------------------- > >


  • 4.  RE:Recording String Spacing for Shop/Bench Action Work

    Posted 03-31-2011 17:06
    Nick,

    Good advice stuff you give. I bought some plexiglass strips plus some kind of mounting devices years ago as a kit for doing the very thing you described. For the life of me, I can't remember who marketed it at that time. Works great, though.

    Keith McGavern, RPT
    tune-repair@allegiance.tv
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  • 5.  RE: Recording String Spacing for Shop/Bench Action Work

    Registered Piano Technician
    Posted 03-31-2011 17:16
    There is a way. You basically construct a jig that spans the action frame and can be relocated back to the same exact position each time. It can be simple with a couple blocks of wood on each end and a wooden span that runs between them and sits over the top of the hammers at the height of the strings. I should be positioned such that when you raise a hammer to it the hammer contacts the bottom of the span right on the strike point. Run a piece of masking tape along the bottom of the span (something you can make marks on) and set the jig in place on the bench with the action. Raise each hammer to the span and mark on the tape the location of the center string cut. That gives you a reference point so that if you were to, say, hang a new set of hammers or remove the hammers for some reason (like repining) you set the jig back in place and raise each hammer and space them according the reference marks you've made. Hope that's understandable. David Love www.davidlovepianos.com


  • 6.  RE:Recording String Spacing for Shop/Bench Action Work

    Registered Piano Technician
    Posted 04-01-2011 14:51
    Align the backchecks to the tails, and they will serve as pretty good guides of where the replacement hammers should be. Note whether the new and original shanks swing on the same plane. If they don't, compensate. This is good enough to perform a fairly precise regulation on the bench. No matter what, you will have to make minor corrections in the piano.

    Mario Igrec