Here's an article and sums up the pitch issue....
basically, tune the piano to 432 to get the C-256 pitch...
http://longform.org/stories/pitch-battles Your customer may be a singer, or interested in this touted "mystical" sound.
A friend of mine in Japan inquired about it last fall.
This A-432 is sometimes referred to as the Verdi pitch.
Many of us tune Harpsichords/Fortepianos, etc at A-428 or lower.
I do have the Schiller institute book at home. I have read it.
Some could argue about a certain amount of quakery with regard to the mystical
properties of this system, but you can read the book and decide
for yourselves.
I got email today from one the symphony board that a certain concert pianist
would not play his piano because it was flat (437), though
that same pianist (from Europe)...plays all over Europe
where the pitch can be upwards of A- 448. Supposedly he
has perfect pitch. He claimed it hurt his ears to play that
piano. (The owner asked me NOT to raise the pitch, by the way).
At one concert this pianist played on a Liszt Erard,
which I believe is tuned to A-428.!!!
Seems to be a lot of voodoo going on here.
Cheers....
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Richard Adkins
Piano Technician
Coe College
Cedar Rapids IA
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Original Message:
Sent: 12-17-2013 14:23
From: Roger Gable
Subject: Cents Deviation Calculation
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Roger Gable
Gable Piano
Everett WA
425-252-5000
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Today I had a customer ask me to tune his piano to "256 cps", but he didn't know which note he was referring to. I presumed he meant C4 because that is the closest note (when tuned to standard pitch) to his 256cps request. Because I tune aurally and only have a strobe tuner (with only a cents vernier scale), I don't have any way to determine how many cents C4 -256 is deviated from standard A-440. I don't do historical tunings. Does anybody know if this is a "standard" historical pitch?
Roger Gable