Thank you all for your feedback about the Ballistic TT&T article by Doug
Gregg. It's nice to know we have Journal readers.
For three or four years I have been sitting on this tip. It was so
unconventional I did not feel comfortable publishing it when I first
received it. About a year and a half ago I had an occasion to test it on
an older piano with very hard hammers: I liked the results. At the same
time I also used it on a poorly rebuilt Steinway B: I liked the results
again. A year or so later I still saw no negative side effects, so I
contacted the author for an update about his experience with using
Ballistol for voicing. He had no negative information. Only then did I
decide to publish that tip.
That was my protocol for deciding to publish this tip. If the efficacy
of the article's claim is erroneous, I will gladly take responsibility.
Karl, I'm very grateful you took the time to post. I'm also grateful for
your recommendation to add a caveat when appropriate. I will take that
consideration to heart.
Thanks for sharing,
John Parham
Original Message------
I was unable to log on last night. ( web site glitch? ) Thus I had to wait until my dead tree version of the Journal came in the mail today to read about Ballistol voicing.
I am frankly stunned that this was allowed into our national publication. This is an idea so insipid that I could never have imagined that it would pass even the most cursory of editorial reviews. Even in a publication that has over the years published descriptions of piano modifications that tread the line between "expression of genius" and "stunning act of vandalism" this is truly shocking. I found myself vainly looking at the date on the cover hoping to see that it was the April 1st edition but sadly this is no " April Fools" joke.
Even if one can allow that adding oil to a piano hammer may have some efficacy, the idea that one would spray oil into the action cavity is sheer lunacy. It will contaminate the keys,keyframe, backchecks, keybed and damper action.
But wait there's more!! Ballistol gradually darkens over time from almost clear to yellow to rust brown. How will you explain that to the owner of a $90,000 Steinway B in a year when they look inside their piano?
Seriously?!?! Have we as an organization no role at all as gatekeepers of acceptable professional practices?
If you think I'm being too harsh here; re-read the article and replace the word Ballistol with WD-40 and see how you feel about it.
John Parham, you're a smart guy. You can do better than this.
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Karl Roeder
Pompano Beach FL
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