I've only just clicked on the thread to see. The pedal lyre, key
cheeks and music desk are exactly the same as the Emerich Betsy of
1854 which was copied by Striecher, Brahm's favourite instrument and
if I remember correctly favoured by Liszt also, and I'd heard that
Bosendorfer took on that heritage and of which this instrument is an
example.
With leather hammers the Betsy is rather good and works particularly
well with unequal temperament
https://youtu.be/xwh4Xb1waC0?t=2273 but
is difficult to control
https://youtu.be/6SPqHBWGMbE?t=407 for a
pianist unfamiliar.
In my humble opinion it's really important for pianists to find
connexion with what composers were writing for and the modern
instrument is perhaps not the best medium with which to do so. In good
condition this instrument should have special value.
No it's not niche. It's what music should be all about.
Best wishes
David P
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David Pinnegar, B.Sc., A.R.C.S.
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+44 1342 850594
Original Message:
Sent: 10/12/2022 12:28:00 AM
From: Jurgen Goering
Subject: RE: 19th Century Bosendorfer
It is a straight-strung piano with a Viennese action which makes it undesirable as a playing instrument for all but those who may be far down a vintage piano rabbit hole. A beautiful piece, a brand with name recognition, so that should help for it to be re-homed on those merits.
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Jurgen Goering
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