Pianotech

  • 1.  Considering the Yamaha YDP-145 - looking for opinions and insights

    Posted 13 hours ago

    I've been searching for digital pianos for my nephew, who's been taking lessons for about a year now, and the Yamaha YDP-145 seems to come up to me as a solid option. But before making a decision, I'd really appreciate some insights from people who've owned, serviced, or taught students on one.

    I've read that Yamaha uses CFX samples with this model with its GHS action. It sounds good on paper for beginners, but I wonder if the action becomes limiting as students move into more demanding repertoire, especially with repeated notes and faster passages. I also want to know how GHS compares with Yamaha's higher-end actions - or even Roland's PHA series - from a teaching perspective. Does the difference matter to most students, or is it only at more advanced levels that it becomes important?

    Also curious how the instrument holds up over time. Have any of you had any regular maintenance issues with the key action, pedals, or electronics after several years of regular home use? And generally, are owners happy with the sound of the piano over the long term?

    I would love to hear your experiences.



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    Music Vạn Phúc
    Ho Chi Minh
    +84-0388880588
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  • 2.  RE: Considering the Yamaha YDP-145 - looking for opinions and insights

    Posted 7 hours ago
    These series of spam contributions to the PTG list are important. They are an insight into what will happen to the acoustic piano if we do nothing and continue as we are, and the music performed as intended for the acoustic instrument will become ever more meaningless and lost.

    Only the acoustic instrument can be tuned to resonate in a way that the electronic substitute cannot copy. 

    If we want the acoustic instrument and its music to survive, and the jobs of all PTG members, we need to look at changing the tuning.

    Here are recordings of performances which the electronic instrument cannot replicate.
    https://www.youtube.com/watch?v=_3_mpqmEAsc Bach Schumann Chopin Liszt Debussy
    https://youtu.be/nWMPEpBN0FA Broadwood 1859 vs Bechstein 1885
    https://youtu.be/t-nvS5m8cko Beethoven Tempest Moonlight, Scarlatti, Galupi Chopin Liszt
    https://youtu.be/aIVUyu7v48U Debussy Fauré Mozart Liszt - Bechstein and 1802 Stodart
    https://youtu.be/xwh4Xb1waC0?t=706 1802 Stodart and 1854 Emerich Betsy Beethoven and Chopin
    https://youtu.be/6HvUdwWG6NI Schubert Chopin Debussy Bach
    https://www.youtube.com/watch?v=wjPDefnPQNU Beethoven Tempest 1819 Broadwood
    https://youtu.be/v_WHsw6XV8M?t=2825 Sarasate de Falla Bazzini Vitali 
    https://youtu.be/QBdaTX2qUxo Beethoven Concerto No. 1
    https://youtu.be/D7VT-z7RcSQ Chopin on 1881 Pleyel
    https://youtu.be/TWedxGiKUk4 Haydn on Bechstein
    https://youtu.be/RR0fUpQaCfg Haydn on Bechstein
    https://youtu.be/TNWZURKpzPE Beethoven Chaminade Liszt
    https://youtu.be/LF1S_CyrGT8 Schubert Rachmaninoff
    https://youtu.be/xdsKQPU0I_w Ravel Fauré Debussi
    https://youtu.be/NKVtB-aNdJU Rachmaninoff 2nd Sonata
    https://youtu.be/Wiu68b85N1Y Brahms and Schumann
    https://youtu.be/JvrGV58ZsAU?t=1091 Schubert Kreisler Lily Boulanger
    https://www.youtube.com/watch?v=lIVPmdSr_Zw Haydn Stravisnsky Messiaen. 

    Perhaps these, rather than any recorded with an Equal Temperament Model D, demonstrate why the electronic instrument of whatever brand is wholly inadequate.

    Best wishes

    David P


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    David Pinnegar, B.Sc., A.R.C.S.
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    +44 7868385643