Or perhaps a different line of work altogether...
Original Message:
Sent: 01-01-2025 19:00
From: Steven Rosenthal
Subject: budget cuts
Lots of wisdom here, thanks. The handwriting has been on the wall for quite some time.
Looking at the situation tactically, perhaps one response might be to propose that the institutions mothball some of their inventory and apply the funds to properly maintain what remains. Rather than being put in a position of simply doing triage, one could concentrate on optimizing the higher quality, more essential instruments. That wouldn't make us more money (which isn't there anyway) but would probably save some time and energy.
Looking to the long term, technicians should be acquiring skills to maintain hybrid instruments and the current generation of reproducing pianos.
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Steven Rosenthal RPT
Honolulu HI
(808) 521-7129
Original Message:
Sent: 01-01-2025 14:10
From: Alan Eder
Subject: budget cuts
Thank you for your brilliant and insightful post, Scott!
You are spot-on about both the belt-tightening and over-abundance of higher education music programs. And it is not just students of classical music that are being trained for artistic careers that don't exist. The same is true of burgeoning singer-songwriter programs (which are in increasing demand, even while having no more professionally promising prospects than those catering to classical musicians).
In recent years, art schools of various stripes have begun closing, some so abruptly as to catch students, faculty and staff by complete surprise. One low-residence program began selling off their buildings a few years back and eventually went "nomadic," utilizing the campuses of other schools during periods in which the host schools are not in session.
As one of my older brothers astutely observed well over half a century ago, "Liberal arts education is not the way of the future." That sound advice didn't deter me from pursuing and achieving an advanced degree in music, with which I never expected to feed myself (much less a family!).
How fortunate am I to be in a music-adjacent field that allows me the luxury of being ensconced in a school where I can observe, participate with and support others, far younger than I, brimming with idealism about a musicians' life. And it is deeply fulfilling to offer them an avenue to an arts-adjacent career as a viable alternative to attempting to "eat their music," so to speak.
Happy New Year, y'all!
Alan
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Alan Eder, RPT
Herb Alpert School of Music
California Institute of the Arts
Valencia, CA
661.904.6483
Original Message:
Sent: 01-01-2025 13:46
From: Scott Cole
Subject: budget cuts
Hi Wim,
One can worry about what may or may not happen with any change in administration. However, I'd suggest that the real financial problem facing most colleges and universities is a long-term trend in declining enrollment. We have an aging population, just like most industrialized countries. People are choosing to have fewer children. Fewer young people are choosing to even go to college, especially young men. If they do go, they're interested more in more lucrative careers than music.
Our local university, Southern Oregon University, is a good example: Declining enrollment, especially in music, has the school hanging by a thread. It's been that way for a while. (I'm not the technician, but I do work for other area schools.) One could argue that the state of Oregon--like many other states--doesn't need more than one collegiate music program. When I taught for a year at the University of Montana (the state funding of which, even in 2002, was below the legal limit for it to be a state school, by the way), I couldn't understand why Montana needed another music program at Montana State. Why would a rural western state with no professional music opportunities need two--or indeed ANY--music progams?
There are WAY too many US colleges and universities aspiring to have serious music programs to begin with. We have a serious problem with the overproduction of classical musicians, most of whom will never make a full-time living in music. This goes all the way up to the doctoral level. I still can't believe how many fellow doctoral candidates were in my program at Florida State. Many schools are just doctoral mills, churning out graduates with little hope of getting a tenure track job. Many schools, I'm convinced, have big music programs simply as vanity projects.
I've taught at a number of schools, both public and private. College are not for those looking to make a lot of money--unless they are the football coach. Tenure-track music positions are both scarce and low-paying. Being an adjunct is fine for some who just love to teach (or are independently wealthy), but it's precarious and is unlikely to result in a full-time position.
In many ways, colleges are like mid-tier professional orchestras. Constantly scrapping over a budget, and never a sure thing. Over my violin career, I probably auditioned at over 30 orchestras around the country. In retrospect, I dodged many bullets. Many of those orchestras folded, closed up during the pandemic, or had pay cuts. Most are utterly dependent on the good graces of local wealthy patrons.
If there's anything the pandemic should have taught us is, it's that it might be better to be in a kayak than the Titanic.
Perhaps we should be letting our young/new technicians in on the CAUT reality: Yes, there might be a few well-paying CAUT jobs out there with big budgets, but don't put all your eggs in one basket. Colleges are what they are, and the situation is unlikely to change radically, no matter who the president is.
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Scott Cole, RPT
rvpianotuner.com
Talent, OR
(541-601-9033
Original Message:
Sent: 12-29-2024 19:38
From: Wim Blees
Subject: budget cuts
Our new president wants to cut the Federal budget. Somewhere along the way, those cuts are going to come down to have an impact on us. Universities and schools are going to be asked to spend less, and one way or another that's going to mean less money for pianos and piano maintenance. This is not a political post, but a realistic position on how important, or not important, our jobs are.
There have been several posts lately on how many piano tuners are needed to take care of the instruments in a school. We have developed a formula to figure this out. But try as we may, for the most part, schools are not going to fund piano work just because we ask for it. We need to understand that for the "bean counters" our jobs are not as important we think they are.
We have to come to the realization that we are not going to have the money that is needed to spend on the pianos in the schools we service. We need to start telling department chairs and deans that their pianos are not going to play and sound like they are supposed to because we have not been given the resources to do that. And we need to make sure the faculty and students understand that. By the same token, we need to be honest with ourselves that we only have so much time and money to take care of those instruments.
I have worked for my school for 3 years now and have not had an increase in my budget. I am doing my best to keep the pianos in tune, but come the end of the semester, some of the concert instruments are not going to get tuned. This is what will happen when there are going to be budget cuts. My chair has already been informed. My suggestion for you is to do the same.
Wim
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Willem "Wim" Blees, RPT
St. Augustine, FL 32095
Tnrwim@aol.com
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