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Considering an electronic tuning device?

  • 1.  Considering an electronic tuning device?

    Posted 09-03-2022 16:02
    I've been beta testing the new tuning app "PiaTune" which is now available for ios. Lots of features, free trial period and affordable. It measures inharmonicity of each note from A0-C8 so can really adapt to wonky scales. Has an option to start by tuning an aural sequence, or pre-measure before tuning. Wicked precise logrithmic scale option for the tuning screen gives a wider range between +/- 1 cent. One unique feature is the "measure beats" for M3, 6ths and 10ths in the midrange. That was an eye-opener when comparing different tuning devices to see if they really created a smooth rapid beat progression...  Ask away and I'll check back!

    Ron Koval

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    Ron Koval
    CHICAGO IL
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  • 2.  RE: Considering an electronic tuning device?

    Member
    Posted 09-03-2022 16:04
    Can it export full partial data on all notes?





  • 3.  RE: Considering an electronic tuning device?

    Posted 09-03-2022 18:54
    No, it works with an inharmonicity constant. I'm not aware of any system that exports the Ih data. Verituner is the closest, but those are tuning targets which aren't the same as Ih data. They also tend to be a bit non linear unless the user is really careful to remeasure and visually verify the progression. That's why I like the Ih graphing of some of the other apps that allow for verifying or correcting outliers.

    Ron Koval

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    Ron Koval
    CHICAGO IL
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  • 4.  RE: Considering an electronic tuning device?

    Posted 09-03-2022 20:36
    Now that I think of it, it has an auto partial select as well as the ability to swipe to using different partials for tuning so that might be something that the developer could make available for you??  He has been very responsive to user requests so far...

    Ron Koval

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    Ron Koval
    CHICAGO IL
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  • 5.  RE: Considering an electronic tuning device?

    Posted 09-04-2022 11:33
    I purchased the app a while back. Even had to buy a used iPhone since I'm an Android guy. I just never seem to have enough time to mess around with it and in addition to that it just feels overly complicated. I think it's me and not the app...🤔  Have you done a YouTube video to demonstrate it?

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    "That Tuning Guy"
    Scott Kerns
    Lincoln, Nebraska
    www.thattuningguy.com
    PianoMeter, TuneLab & OnlyPure user
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  • 6.  RE: Considering an electronic tuning device?

    Posted 09-04-2022 12:08
    No I hadn't thought of that. There are quick start guides and I'm pretty sure the developer has a video..

    Like many of the apps, they have lots of features individual techs may never use. If you look at the update, it should be much easier than what you had before!

    Ron Koval

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    Ron Koval
    CHICAGO IL
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  • 7.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-04-2022 18:11
    I always roll my eyes when tuning software claims resolution to .01 cents. 1/10 of a cent is 1/1000 of a semitone, so 1/100 of a cent is 1/10,000 of a semitone. 

    As a "mostly aural" tuner or "hybrid tuner" I mostly appreciate the spectrum display of Tunelab. I also appreciate the very straightforward way I can calibrate my device to specific partials in order to project mid-range and treble tuning into the high-treble. 

    I wonder if Piatuner has any of these features?


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    Ryan Sowers RPT
    Olympia WA
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  • 8.  RE: Considering an electronic tuning device?

    Member
    Posted 09-04-2022 19:20
    I'm interested in extracting the partial data because it's so interesting to see them graphically.
    Here's something I made using TuneLab's data:
    and here's something using Verituner's data:

    I have a lot more of these, also data from Anthony Willey's Pianoscope app (with his invaluable assistance to setup the data extraction process). Slowly noodling a series of Journal articles. The attachments are other examples. Ask away.

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    Jason Kanter
    Lynnwood WA
    (425) 830-1561
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  • 9.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-04-2022 21:23
    Ryan, it's my understanding that these devices actually are sensitive down to 9 places. Wisely, they don't confound us by showing that information. Even two places (.00) is beyond our hearing resolution and also the stability of any given piano string. That said, I do find the second place useful when floating the A. I can see on my Verituner a drift one way or the other to .1 cent and can then nudge it up or down a bit. This can be helpful on instruments that are already very close to being in tune.

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    Steven Rosenthal RPT
    Honolulu HI
    (808) 521-7129
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  • 10.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-05-2022 13:39
    Steve,
    Agreed. Two places is in the "difference that makes no difference" category. :)
    When measuring tunings for the PTG tuning exam, 1/10 is in the "edge of perception" zone. If two examiners could measure the same strings and be within 1/10 they are doing very well. If you move your listening device from one area of the piano to another, the readings can easily change by a few tenths of a cent. Also because pitch can rise and fall over the course of the sustain, things become open to interpretation to a significant degree. 

    Personally, from my own experiments and trials, I think that .2 cents is the threshold of what can be physically perceived by a real human tuner, with a good level of sensitivity. In other words, unisons that are within .2 cents of each other sound pure. 


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    Ryan Sowers RPT
    Olympia WA
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  • 11.  RE: Considering an electronic tuning device?

    Posted 09-07-2022 05:49
    Also claiming accuracy but only to 1/1000 of a semitone is the CTS5 http://www.tuning-set.de/Prospekt5C_D.pdf and because of the wave being divided among dots (from memory 16 or so) one does have that accuracy which is around 8 times more than the two squares per wave of the TuneLab display.

    https://youtu.be/4d0YLryDOYU?t=45 might be of interest.

    Best wishes

    David P

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    David Pinnegar, B.Sc., A.R.C.S.
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    +44 1342 850594





  • 12.  RE: Considering an electronic tuning device?

    Posted 09-05-2022 16:09
    PiaTune does have the ability to choose partials for each note while tuning.
    Pretty standard overpull measuring option with a warning if the starting value is more than 10c off from the previous note. 

    Auto mic level or choose starting and ending level for noisy situations.

    Inharmonicity measuring only needs to be done once. The graph populates while measuring so it is easy to verify or remeasure outliers.
    There is an option to tune using a generic inharmonicity file. 

    There are many stretch options for temperament, bass and treble. Starting a tuning, the options pre-set these based on spinet/console, upright, small grand and large grand. I tend to aurally verify or adjust stretch parameters for pianos I haven't tuned before.

    It was the only app (I have a bunch) tested on a lesser piano to produce progressive rapidly beating intervals through the temperament...

    Ron Koval

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    Ron Koval
    CHICAGO IL
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  • 13.  RE: Considering an electronic tuning device?

    Posted 09-06-2022 19:04
    Interesting discussion of PiaTune and ETD's in general.  I'm probably confused about your last comment, Ron, about "progressive rapidly beating intervals."  Even with a lesser piano, I would expect PiaTune to produce an increasing progression of coincident partials, say of Major Thirds, in the temperament octave area.  (Excuse my likely misunderstanding.)

    A question:  When I get in a discussion with a customer about aural tuning versus visual tuning with an ETD, I always say that either approach should produce the same good quality of tuning result if the tuner is professionally trained and qualified.  After the discussion above on resolution, am I still correct in saying that -- or are there  some undesirable ETD's that, try as best you can, won't produce a good result?

    Those inharmonicity curves are always very interesting.  Without going to a formula to worry about tension and density and string stiffness, I got thinking about instruments like violins and cellos playing in accompaniment with a piano.  If anyone wants to recommend a Journal article that discusses the difficulties from both a temperament and an inharmonicity perspective of the instruments playing together, it would be appreciated -- since I presume that the strings of a violin or cello have much less inharmonicity than those of a piano.

    Thanks.  Norman

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    Norman Brickman
    Potomac Piano Service
    Potomac, Maryland
    potomacpiano@verizon.net
    https://potomacpiano.com
    (301) 983.9321
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  • 14.  RE: Considering an electronic tuning device?

    Posted 09-06-2022 21:33
    Norman, thanks for the questions - the last question about inharmonicity.. someone may point you to a source, but it is my understanding that systems that are driven (bowed, blown) tend to have almost no inharmonicity.

    But to the question of progressive rapidly beating intervals, I think the developer started with the germ of the idea for his tuning app years ago on another internet tech forum. There was the old aural vs. ETD fight going on and the techs decided that progressive thirds through the temperament would be the test. He came up with a beat counting/measuring program (another programmer had one working too.) where techs could post recording and then he would post the results. I would say techs were surprised (sometimes not pleasantly) by the results..

    There are actually two variables that intersect with my testing a few ETDs for progressive thirds. One is if the calculation actually produces that, the other is if the display gives enough feedback to the tech to actually produce the desired results.

    On the test piano, PiaTune predicted for an octave: M3rd  beat/second
    5.0, 5.5, 5.8, 6.1, 6.6, 7.1, 7.5, 8.0, 8.5, 8.7, 9.6, 10.1, 11.7
    I was able to tune strip muted middle string:
    5.1, 5.7, 6.5, 6.4, 6.8, 7.0, 7.5, 7.9, 8.3, 8.9, 9.3, 10.0, 10.8 
    Three other platforms: (some that I have endorsed over the years)
    6.2, 5.6, 6.6, 7.0, 6.2, 7.2, 6.8, 6.8, 8.3, 10.1, 9.2, 10.2, 10.7  
    6.4, 6.0, 6.7, 6.5, 5.9, 6.5, 7.4, 7.9, 8.1, 8.7, 9.2, 8.8, 9.8
    6.2, 5.9, 6.9, 6.8, 6.2, 6.7, 7.5, 8.4, 8.0, 8.7, 8.2, 8.7, 11.7

    This is only a single test, so I invite anyone else with $100  to spend on a new app to improve the data pool!

    I do remember reading responses from techs similar to "that's close enough, no one could really hear a difference anyway". Similar to the older statements when techs started bringing technology to rescaling pianos as well as touch weight and leverage redesign for actions!

    Ron Koval

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    Ron Koval
    CHICAGO IL
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  • 15.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-06-2022 23:35
    "I was able to tune strip muted middle string:
         5.1, 5.7, 6.5, 6.4, 6.8, 7.0, 7.5, 7.9, 8.3, 8.9, 9.3, 10.0, 10.8"

    Ron, was this tuned using PiaTune or tuned aurally?

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    Steven Rosenthal RPT
    Honolulu HI
    (808) 521-7129
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  • 16.  RE: Considering an electronic tuning device?

    Posted 09-07-2022 08:40
    From Steve "Ron, was this tuned using PiaTune or tuned aurally?"

    That was using the app.

    Ron Koval


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    Ron Koval
    CHICAGO IL
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  • 17.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-07-2022 13:26
    ...I got thinking about instruments like violins and cellos playing in accompaniment with a piano.  If anyone wants to recommend a Journal article that discusses the difficulties from both a temperament and an inharmonicity perspective of the instruments playing together, it would be appreciated -- since I presume that the strings of a violin or cello have much less inharmonicity than those of a piano.


    Norman, it's an interesting topic, and one often asked over in the violinist forum (violinist.com):"How do I play in equal temperament with the piano?"
    First, I'll mention that you can use our Online Journal Search feature, available from the PTG Members drop-down menu on the far right of the main ptg.org website.

    My usual answer is that string players shouldn't worry about playing perfectly with the piano, and especially about trying to play in ET, which is mostly impossible. Occasionally, we will tune, say, a G string if we know it might, for example, act as an extended drone or pedal point for a specific musical passage. However, beyond that, it's a fool's errand for a string player to get caught up in ET. 

    In general, string players usually temper their leading tones (not just ti, but mi as well) to be higher. When playing with a piano, we might try not to temper them quite as much. String players in general tend to have too-wide leading tones, especially when learning the instrument. However, I'm not sure how much it really matters, and for a several reasons:
    1. Realistically, string players are ALWAYS adjusting their intonation to try and match the context, whether in chamber music or an orchestra or with a piano. It's part of our training to do lightning-fast corrections before a listener can hear them. Even famous soloists can be heard to make tiny pitch adjustments if you listen carefully. 
    2. String instruments are tuned by timber, not beating (or necessarily even intervals). The body of a violin responds in a VERY different way than a piano ) or any other instrument) to any note that corresponds to an open string: G, D, A, E. If you hit the note perfectly with the left finger, there is an obvious resonance. Any tiny deviation can be heard as a sour note as the instrument's resonance shuts down. All the other notes with less connection to the open strings, say E-flat or F, also have their own particular degree of resonance and timbre. Once a string student really understands this, their intonation starts to really improve. Really fine instruments, such as a Stradivarius or Guarneri, have an even marked timbral difference between in tune and out of tune--a good violin that is well broken in practically screams at the player, as if it has well-worn "intonation" tracks that you must stay on. That's part of why they are so coveted.
    (Inexpensive instruments, especially bright ones, tend to have little timbral difference, and can be quite disorienting to play on.)

    For this reason of "timbral intonation," the player can't just attempt to match every ET pitch because the violin's timbre will sound sour or choked off. String players spend thousands of hours memorizing with their fingers where these resonant spots on the fingerboard are. Again, some notes are more malleable, such as flats or sharps or others less related to the open strings. But take F# or C#--those are related harmonically to, respectively, open D and A, and as such have their own character. We can push them sharp, but very rarely flat. 

    As a teacher (I'm retired now), I could always hear very easily whether a particular note a student played was out of tune just by the timber. Context had little to do with it.

    3. String players vibrate. It solves a lot of problems.....
    4. Personally, I believe that, due to the striking tonal differences between a string instrument and the piano, the audience is tolerant of minor pitch difference between them. The ear separates the two into different sound scapes, and iss much more forgiving with a strings player that is nailing the resonant places on the fingerboard, because that's when intonation sparkles. 

    Now if we could just get the pianist to stop rushing/dragging/pounding....

    So there you go--I just wrote an article on the subject!
    Scott

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    Scott Cole, RPT
    rvpianotuner.com
    Talent, OR
    (541-601-9033
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  • 18.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-07-2022 14:44
    Scott

    Yes, please publish this article in the Journal. Not many of us know about the tuning of a violin, especially when it comes to matching pitches of an unequal temperament.

    Wim 







  • 19.  RE: Considering an electronic tuning device?

    Posted 09-07-2022 15:29
    Scott - thanks so much. Very interesting and helpful.

    On two occasions I've tuned where musicians in the orchestra have been shocked to find that they are in tune with the piano.

    https://youtu.be/mnTDkj5dYYc?t=766 in France at the Concours International de Piano
    https://youtu.be/M7QaEmtc-4o in Greece with a Viennese orchestra

    Best wishes

    David P

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    David Pinnegar, B.Sc., A.R.C.S.
    - - - - - - - - - - - - - - - - - - - - - - - -
    +44 1342 850594





  • 20.  RE: Considering an electronic tuning device?

    Registered Piano Technician
    Posted 09-07-2022 15:56
    As a former cellist I was regularly perplexed by what my ears were telling me to do relative to what and who I was playing with. The cello was "in tune" but where I put my fingers to make things work often made me say to myself: "hmmm...that's interesting". I understood much better when I started learning the methodology behind unequal temperaments, etc.

    OTOH drumming came in handy when learning tuning in ET as my ability to distinguish relative fast beating intervals was pretty good. No intonation issues there though. 

    Peter Grey Piano Doctor

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    Peter Grey
    Stratham NH
    (603) 686-2395
    pianodoctor57@gmail.com
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  • 21.  RE: Considering an electronic tuning device?

    Posted 09-11-2022 11:11
    Scott, if you write that article on sting instruments playing with pianos, you might want to first do an Internet search like I did on "violin playing with an equal tempered piano" - you'll probably get a lot more out of it than I did.  You'll get a lot of hits.  Like some comments on stackexchange.com talking about doing "a constant toggling between just and equal temperament" and "a violinist will simply play in tune with it like they always do. They don't consciously decide to use equal temperament, they simply match pitch."  And more that is consistent with your comments.

    Ron, in looking at progressions of coincident partials, from my personal experience in the temperament octave, or octave-and-a-half, I would suggest also looking at the progression of major sixths, and particularly of fourths.  Somehow the fourths, maybe since they are closer to pure, seem quicker to point out my mistakes.

    Final thought - since the major third is off by 14 cents in our tunings, but since the inharmonicity is easily off by 30 or 40 cents into the extremes, I would think that the challenges that string players have in playing certain intervals and chords in accompaniment with pianos might be toughest due to inharmonicity (some of the time) than due to temperament issues.  And then there are woodwinds playing with fixed pitch instruments . . . . . .

    Regards, Norman


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    Norman Brickman
    Potomac Piano Service
    Potomac, Maryland
    potomacpiano@verizon.net
    https://potomacpiano.com
    (301) 983.9321
    ------------------------------