Just thinking out loud.. Why not move the thread to some kind of "private" forum where these discussions could continue. I spend time writing comments, hoping someone will find some interest, only to have them disappear. If there are comments, there is interest. There is this hyper-sensitivity to any comment mentioning a product, or anyone selling anything that might have to do with the subject being discussed. Even if what is being discussed is actually a technology and not a product. We're trying to push the envelope of tuning electronically, which is advancing the art of our craft. There may be disagreement over what is being presented, and that's a good thing. We welcome this discussion. But to remove (hide, censor, etc.) what is an interesting and enlightening discussion is counter to what our Guild is all about. Don't we want to improve our craft? If someone comes up with a better way, I would think it would be welcome, at least to examine it on its merit. That's the spirit of our organization. I would appreciate a change in this scenario such that the discussions could continue and comments preserved, perhaps in another place, private or not.
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Paul McCloud, RPT
Accutone Piano Service
www.AccutonePianoService.compavadasa@gmail.com------------------------------
Original Message:
Sent: 07-03-2024 21:46
From: Floyd Gadd
Subject: Answer to Tim on Latency
All it takes for a post to disappear is for any one member of the group to flag it. Moderators review the flagged posts and the reasonable ones reappear after a bit. At least that's how I understand it's supposed to work.
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Floyd Gadd RPT
Regina SK
(306) 502-9103
Original Message:
Sent: 07-03-2024 18:51
From: Peter Grey
Subject: Answer to Tim on Latency
Tim,
Yes, just like ETDs themselves, some like 'em, some don't. I agree. I also am puzzled by why these posts/ threads are disappearing.
Peter Grey Piano Doctor
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Peter Grey
Stratham NH
(603) 686-2395
pianodoctor57@gmail.com
Original Message:
Sent: 07-03-2024 18:00
From: Tim Foster
Subject: Answer to Tim on Latency
Thank you.
Also, to whom it may concern, I'm a little confused why the other posts were taken down. I'm neither a proponent or antagonist when it comes to PianoSens. This is obviously new technology and time will tell if there is demand for this kind of technology. One thing I've learned about this industry is it's not a "one size fits all." I'm sure some people will love the clarity of the unisons, others will find it sterile and uninteresting. I find the conversation fascinating and relevant.
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Tim Foster RPT
New Oxford PA
(470) 231-6074
Original Message:
Sent: 07-03-2024 01:44
From: Steven Norsworthy
Subject: Answer to Tim on Latency
Tim Wrote:
Thanks for the info.
I was speaking with a friend today about tuning within the half second and this question came up. With all digital ETDs (that I know of at least), there is a small delay before the pitch goes on display. When milliseconds are of the essence and there is a 250 millisecond (or so) digital delay, how can we be sure that we are tuning within a tight enough window, unless using a stroboscopic tuner?
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Tim Foster RPT
New Oxford PA
(470) 231-6074
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Tim,
You are referring to the latency in the display of a tuning app. I understand that. Here is the solution. The Freeze Window. It allows the user to exactly set the time window length from the hammer strike to the stop point and that is the window length and then the result of the calculations are displayed.
In my latest video, How Spatial Position Affects Piano Tuning, link below,
https://www.youtube.com/watch?v=26zskT_GvkA&t=6s
I show exactly how a spectrogram is made. You will not need to worry about any latency issues if the app uses and displays the Freeze Window, which is essentially the tuning result from first FFT block calculation. In this example it is from the point in time near the hammer strike to the end of the block time thereafter. The samples of sound that are captured during that block of time are used in the calculation. You then see the tuning result from that block. How far off it is from zero is then used to re-strike the hammer until iteratively the indicator shows nearly zero cents while of course the continuous indicator in the app keeps moving. The jittery spreading of the partials can be seen in the continuous indicator of an app, but most apps don't show us the details that I propose in the video. Jitter and spreading is 'real physics' going in in the piano sound, and of course the ear and brain hear it too, but can't measure it with the kind of precision that a machine can.
Steve N.
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Steven Norsworthy
CEO/President
RF2BITS, Inc.
Cardiff CA
619-964-0101
steven@rf2bits.com
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