On Facebook I'm in communication with a piano technician who's theme is always the decline of knowledge in the industry and often I present a contrarian perspective.
The subject of voicing came up the other day - very much a dark art with so many variables and including the purposes for which an instrument has to serve. So . . . I happened to mention that the recommendations for Abel organic or natural felt hammers where that they shouldn't be voiced immediately, that they should be "played in" and then whatever voicing needing to be done could be achieved then.
However . . . I can't find the source of that information any more. Can anyone help or am I totally mistaken?
The Abel re-covering process ends up with hammers where the tension is released between the hammers which leads to the edges of the hammers being higher than the middle. Of course this means that the new hammers as supplied don't necessarily mate evenly with all three strings. Filing them straight when new might mean that the compression of hammer-wear becomes different over time and why then it's better to wait before giving them attention.
Best wishes
David P
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David Pinnegar BSc ARCS
Hammerwood Park, East Grinstead, Sussex, UK
+44 1342 850594
"High Definition" Tuning
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